Corinne Winters and David Mareček
The concert offers an impressive evening of Czech and Central European songwriting, combining the lyrical depth of Dvořák's Love Songs, the intimate and emotionally delicate world of Vítězslava Kaprálová, the folk poetry and dramatic urgency of Leoš Janáček, and the dreamy late Romanticism of Erich Wolfgang Korngold. The program combines declarations of love, personal confessions, and musical narratives full of tenderness, passion, and emotion, including Janáček's Fairy Tale for Cello and Piano. Soprano Corinne Winters, pianist David Mareček, and cellist Lukáš Mareček will perform together, creating a chamber music dialogue of extraordinary intensity.
Sunday
10/18/2026
7:00 PM
Mahenovo divadlo
Brno
260 - 910 CZK
Description
ABOUT
Antonín Dvořák (1841–1904) composed his Love Songs to texts by Gustav Pfleger-Moravský in late 1888 by reworking and revising eight songs from his youthful cycle Cypresses of 1865. Dvořák’s captivating settings place this cycle among the gems of Czech song literature.
The music of Vítězslava Kaprálová (1915–1940) reflects an intimate feminine world imbued with delicate, tender lyricism. In her song cycles she transformed influences from Janáček, Martinů, and the interwar avant-garde into a distinctive voice of her own. This survey of her songs spans from the early Two Songs to words by R. Bojek (1932), through Waving Farewell to a poem by Vítězslav Nezval (1937), to the late cycle Sung into the Distance, written in Paris in 1939.
Leoš Janáček’s Moravian Folk Poetry in Songs, a collection of fifty-three arrangements of folk songs for voice and piano, was created between 1892 and 1901 in parallel with his work on the opera Jenůfa. Janáček’s piano accompaniments masterfully stylise folk elements and enhance the atmosphere of these mostly love-themed songs.
Janáček’s Fairy Tale for cello and piano was inspired in 1910 by Vasily Zhukovsky’s Russian epic poem The Tale of Tsar Berendey, which touches on themes of family happiness, unfulfilled longing for children, and the sorrow of their loss—subjects that also resonated deeply in the composer’s personal life. The Fairy Tale is filled with virtuosic and emotionally charged music, moving between tenderness, drama, and joy.
The concert concludes with songs by the Brno-born composer and celebrated opera and film music author Erich Wolfgang Korngold (1897–1957). His Three Songs, Op. 22 (1928–1929) set love poetry by the music critic Karl Kobald and the Austrian Countess Eleonore von Sternberg. The Three Songs, Op. 18 (1924), on the other hand, are settings of mystical poems by Austrian playwright Hans Kaltneker. Korngold’s late-Romantic style underscores the dreamy, enigmatic atmosphere of these verses.
Text: Ondřej Pivoda
Programme
Antonín Dvořák: Love Songs, Op. 83, B 160
Vítězslava Kaprálová: Two Songs to words by R. Bojek, Op. 4
Vítězslava Kaprálová: Waving Farewell, Op. 14
Vítězslava Kaprálová: Sung into the Distance, Op. 22
Leoš Janáček: Moravian Folk Poetry in Songs, JW V/2 (selection)
Leoš Janáček: Fairy Tale for cello and piano, JW VII/5
Erich Wolfgang Korngold: Three Songs, Op. 22
Erich Wolfgang Korngold: Three Songs, Op. 18 (Nos. 2 and 3)
Performers
Soprano: Corinne Winters
Piano: David Mareček
Cello: Lukáš Mareček